LESSON 8

MODULATION


 Ø Modulation is the change of key that takes place in a melody that is not permanent. It occurs when accidental adds to the same type of notes, and the phrase ends with the cadence of the new key.

  This image shows the key before modulation, it also shows the

 pivot chord moving into the modulation of the new key, and it

 gives an example of direct modulation.

  Ø The dominant key is most frequently used to modulate in major-key. In minor keys, this can only happen when the 7th scale degree is not raised by a semitone and also not acting as a dominant.


     Ø Some of the other keys used when modulating are those having either a sharp or flat or none, like the relative minor. These are the 4th, 5th, and 6th scale-degree in major-key and also used as pivo chord. 

In this melody, using a melodic line with figure base and chord

symbols, you would notice the modulation as it begins with a

pivot modulation by a common chord.


https://th.bing.com/th/id/R.ddd93f1dbe0da0bd798a688d33793cf5?rik=%2b60Av8v5WiRmyA&riu=http%3a%2f%2fmusictheoryprof.com%2fwp-content%2fuploads%2f2095%2f06%2fOCanada.png&ehk=ED4MRDy85tdukSWnhklgHrP3egaGBjWhNFDfD5r8N5U%3d&risl=&pid=ImgRaw&r=0

   Ø The pivot chord is used as a harmony while transitioning into the modulated key, and not all scale degrees can be as a pivot chord. The ones used include chord notes that are diatonic to the new key.


This melody has an example of a pivot chord modulating

from the key of C major to its dominant by using the six

scale degree in C major as a pivot chord. This is a common 

tone chord to scale degree two in G major.

 

 

 Ø Pivot chords are not always used to modulate. Sometimes, there is what is called direct modulation. This form of modulation takes place suddenly as the new key appears. It is sometimes called abrupt modulation, often used in chorale settings. The only time it has a smooth transitioning is when it involves a secondary dominant.

                         

  This melody uses a secondary dominant chord as a pivot

chord modulating from the key of G major to the key of D 

             major, which is called a direct modulation.

https://th.bing.com/th/id/R.bff140c353716ef6a50798f7284c6c22?rik=zplzv9Pl6Ri4Cg&riu=http%3a%2f%2f1g9v9u38ad6lxfzmd1t5auit-wpengine.netdna-ssl.com%2fwp-content%2fuploads%2f2014%2f11%2fbeethoven_0005-1024x536.png&ehk=vOC3sznGzRTKGEZafhmX1jtnIyZ8KNLffifnvRGffxk%3d&risl=&pid=ImgRaw&r=0


In this video of modulation, there are so many things you would recognize.

A review on tonicization

The difference between modulation and tonicization

The change of mode major/minor

Key relationship

closely related keys

Examples of closely related keys

Common chord/pivot chord modulation

Examples of common chords

Analyzing a melody and listening for modulation

Viewing the melody

identifying pivot chords

In this video, on modulation, you will view

How modulation is defined

Immunity in D major used as an example

Pivot chords

defining pivot chords

Explaining the chords of the diatonic scale

major minor diminished

Comparing chords from one key to another

Locating common chords

Explaining the pivot chords on the diagram

listening illustration




In this video on modulation, there are many things to recognize.

A review on tonicization

The difference between modulation and tonicization

The change of mode major/minor

Key relationship

closely related keys

Examples of closely related keys

Common chord/pivot chord modulation

Examples of common chords

Analyzing a melody and listening for modulation

Viewing the melody

identifying pivot chords 





Premier Solo de Concours is a trumpet solo composed by Rene Maniet.

This melody is written in the key of F major, and the note highlighted appears to be a pivot chord. The note C in the key of F major is the dominant, but after modulating, the key change, and it becomes the tonic. Observing the B that follows within the 3 bars they are all-natural.



In this video, I am performing the melody above






The serenade, a musical arrangement for trumpet, was composed by Oskar Bohme, a German-Russian trumpeter and composer. Oskar Bohme was born in Potschappel, a small town near Dresden, Germany. In his early years, he had studied both trumpet and composition at the Leipzig Conservatory of music.


 Ø  This melody begins in the key of F minor, using a raise 7th  degree that forms the dominant.

          Ø  In bar 6 of this Melody, there is a secondary dominant, which is G major, and it tonicizes C major. The arrangement has G major highlighted in orange and C major in blue.

          Ø  On the first beat of bar 10, The F minor chord Is used as a pivot chord to modulate into the key of Ab major. These are all highlighted in red.

          Ø  This melody also has a few motives, I have highlighted two of them in green, and the other two highlighted in green and orange are sequences of descending 5th.

                                                                                                     


In this video, I am performing the Serenade.




     


       








       

      

     













Comments

Popular posts from this blog